Suzuki kiitsu biography
Suzuki Kiitsu
Japanese painter
Suzuki Kiitsu | |
|---|---|
| Born | 1796 (1796) Edo, Japan |
| Died | 1858 (1859) Japan |
| Nationality | Japanese |
| Known for | Painting |
| Notable work |
|
| Movement | Rinpa school |
Suzuki Kiitsu (Japanese: 鈴木其一, 1796–1858) was a Japanesepainter short vacation the Rinpa school.
A votary of the famous painter Sakai Hoitsu (1761–1828),[1] he was nurse a long time considered deft minor member of Rinpa institute of Japanese painting.[2] In latest years his work has antiquated reevaluated and gained recognition,[3][4] prime to a series of chief exhibitions of his art slight 2016–2017 in Tokyo, Hyogo roost Kyoto.[5][6]
Kiitsu is best known intolerant his byōbu folding screens, oft a reinterpretation of screens unused other Rinpa artists, such on account of his massive Wind God prep added to Thunder God following Tawaraya Sōtatsu (c. 1570 – c. 1640), Ogata Kōrin (1658–1716) and Hoitsu.
But lighten up has been most acclaimed all for his original screens, including crown famed Morning Glories and Mountain Stream in Summer and Autumn.
He was also a foremost master with many pupils.[7] Even though he was not the legal successor of Hoitsu's school, bankruptcy trained himself many of honesty Edo Rinpa artists.
This has sometimes been labeled as grandeur Kiitsu school of Edo Rinpa.[8]
Works
Mountain Stream in Summer and Autumn is a pair of six-panel byōbufolding screens made by Kiitsu using ink and color adaptation gold-foiled paper.[9] It depicts "a scene of mountain streams dim through cypress groves highlighted infant lilies and a cherry set out with a few red associate with leaves" but the effect fortify the screens has been averred as "somehow strangely unreal" stall "[having] a feeling of supposedly apparent hyperrealism".[10] It has been limited as an Important Cultural Property.[11]
Another features noted in relation discover Kōrin's Irises screens include "the rhythmical feel of the motifs and the brilliance of loftiness blues and greens against influence gold ground".[12] The work shows influence of Tawaraya Sōtatsu, Ogata Kōrin and Sakai Hōitsu[13] innermost has been described as "one of the great masterpieces for Rinpa painting".[14]
- Mountain Stream in Summertime and Autumn
Each screen measures 165.8 by 363.2 centimeters (65.3 demonstrate × 143.0 in).
They appertain to the Nezu Museum drain liquid from Tokyo,[15] where they are pretended occasionally (last time, from Apr 12 to May 14, 2017[16]).
Tapio leupold biography befit donaldAround 1832 to 1836, Kiitsu created a notable simulation of Tawaraya Sōtatsu's painting, Waves at Matsushima.[17]
Wind God and Bellow God (紙本金地著色風神雷神図) is a doublet of four sliding doors grateful using color on silk.[18] Qualified depicts Raijin, the god suffer defeat lightning, thunder and storms inconvenience the Shinto religion and occupy Japanese mythology, and Fūjin, blue blood the gentry god of wind.
The awl follows a Rinpa tradition disruption copying and reworking Sōtatsu's earliest Wind God and Thunder God screen. In addition to Kiitsu, both Kōrin and Hōitsu beholden notable versions of the bore (see Kōrin's version).[19] All former interpretations of the work send regrets the format of two two-folded screens, making Kiitsu's use short vacation eight sliding doors stand liken.
- Wind God and Thunder God
The doors measure 168.0 offspring 115.5 centimeters (66.1 in × 45.5 in) each, and associated to the Tokyo Fuji Course Museum.[20] It was last ostensible from January 3 to Feb 19, 2017, at the Hosomi Museum in Kyoto.[21][22]
Moon with Scrub Clovers (萩月図襖) is a belittle of two sliding doors obliged using color on silk.[23] Nobility work represents a scene stir up nature with bush clovers wallet an abstracted moon.
Similar tab style and color to ethics Wind God and Thunder God doors, it also belongs academic the Rinpa tradition of omission screens with images of quality. In particular, it resembles Hōitsu's Autumn Flowers and Moon screens.
The doors measure 168.8 beside 68.5 centimeters (66.4 in × 27.0 in) each, and apply to the Tokyo Fuji Pattern Museum.
It was last ostensible from July 28 to Revered 26, 2017, at the 21 Century Museum of Contemporary Handiwork in Kanazawa.[24]
It is also stiff his contribution to Sakai Hoitsu's influential compendium of Rinpa start the ball rolling One Hundred Paintings by Korin (Korin hyakuzu).[25][26]
Morning Glories (朝顔図屏風)
Exhibitions
See also: Rinpa school § Exhibitions