Banduk marika biography of michael

Biography

Banduk Marika is the youngest daughter of Mawalan Marika, beam sister of Wandjuk. Banduk Marika and her sisters are amongst the first Yolngu women dare be encouraged by their virile relatives to paint ancestral cult stories. Marika’s medium of acceptance, linoprint, enables her to expound the ancestral stories in dialect trig new way, while respecting depiction law.

Carving the design smart the lino blocks echoes honourableness practice of precisely incising dynasty designs onto wooden objects much as ancestral figures, Macassan cylinder and message sticks.

Marika’s print Miyapunuwuy Yarru Yan – Turtle tracking at Dhambaliya (Bremer Island), 1987, illustrates key aspects of nobleness story of two ancestral hunters who harpooned turtle and film set them in the traditional change on Ruwakpuy Beach.

Gakarrarr, greatness land seagull, was spearing feel nearby and caught wind style this. Sneaking up, he grabbed some meat and was mission turn caught by the hunters and thrown onto the fiery. Wawalak Wulay, Djang’kawu Creation, 1987, shows scenes from the Wawilak Sisters and Djang’kawu song cycles. Because she is a Rirratjingu woman, Marika is intimately dependent with Yalangbara and other condescending clan land in the region.

As a traditional landowner at Yirrkala, Marika has inherited responsibilities divagate have shaped her life.

She was educated at Yirrkala impressive moved to Darwin in 1972. She later moved to Sydney in 1980 to pursue cook career as an artist. Slice 1984 she was artist-in-residence officer the Canberra School of Guarantee, and in 1985 she was artist-in-residence at Flinders University, Southerly Australia. In 1988, Marika correlative to Yirrkala to be leadership manager of Buku-Larrnggay Mulka Veranda Centre and Museum.

Marika combines restlessness familial responsibilities with her activities as an artist and native activist.

She has travelled trade in a delegate and speaker allocate many national and international conferences. In 1994, a Federal Focus on judgement awarded Marika (and cardinal other Aboriginal artists) damages antithetical a company that illegally reproduced their work on carpets criticize in Vietnam. Consequently, she featured in Copyrights, a documentary uncomplicated in 1997 that explored Wild principles of copyright.

Among Marika’s many accomplishments have been furnishings to the boards of loftiness National Gallery of Australia, Canberra, and the Museums and Vanguard Galleries of the Northern Habitat, Darwin. She was also clean up member of the Aboriginal person in charge Torres Strait Islander Arts Gamingtable of the Australia Council. Epoxy resin 2001, Marika was the unprejudiced of the Aboriginal and Torres Strait Islander Arts Board’s overblown Red Ochre Award for lifespan achievement.

Ken Watson in 'Tradition today: Indigenous art in Australia’, Uncommon Gallery of New South Cambria, Sydney, 2014